Jazz: Sax vs Trumpet, Part 2

Recently, I put out the question “Which instrument the sax or the trumpet is more important to jazz?” Take a look at the following videos, and then cast your vote. Please send me your comments and suggestions on other great jazz performances and artists.

On the sax, Paul Desmond with Dave Brubeck on the piano – “Take Five”

Miles Davis on trumpet – “Tutu”

Or is a combo better?

Miles Davis on trumpet, John Coltrane on the sax – “So What”

Cast your vote!

Smackdown: Sax or Trumpet?

Which horn rules jazz – the sax or the trumpet?

John Schaefer, the host of WNYC’s Soundcheck, talks to Branford Marsalis, who defends the saxophone, and music critic Will Layman, who says the trumpet rules jazz.

Listen: Soundcheck Smackdown: Sax or Trumpet?

December Jazz

Chris Botti’s 2002 holiday set, December, is comforting; a much needed and welcomed feeling during this last month, and often the most stressful time, of the year. It’s clear the holidays aren’t always the most joyful time for all, so comfort and joy are the gifts Botti offers with this collection. Yes, there’s a feeling of melancholy at times, but that’s fine, because that’s what true jazz does sometimes.

Botti’s trumpet always sets an intimate and soothing ambiance, and that is exactly what we get here. Most of the songs are instrumental, and not drenched with jingly bells. Botti takes on vocal duties on two songs: Perfect Day and Have Yourself A Merry Little Christmas. Winter Wonderland gets a swinging rendition and Santa Claus Is Coming To Town gets a Brazilian beat. O Little Town of Bethlehem has romantic piano accompaniment. And it’s quite a surprise to hear a Leonard Cohen tune on a Christmas album, but Hallelujah appears here. I’ll Be Home For Christmas closes December, and it’s smooth, uplifting, and a perfect ending to a great CD.

This lovely collection will appeal to fans of jazz, easy-listening and fusion. Chris Botti delivers comfort and joy with ease and style.

I will be seeing Chris Botti perform at the legendary Blue Note in New York City tomorrow evening and I can hardly contain my excitement.

For more on Chris Botti, mainly his latest release, Italia, see my October 28th post: Viva Italia!* This CD was reissued in 2006 with Ave Maria replacing Perfect Day.

Check out these live performances:

Lover Man with Gladys Knight

A Song For You with Michael Bublé

The Look of Love with Paula Cole and Burt Bacharach

Viva Italia!

My first exposure to trumpeter Chris Botti was in 1999 from the front row at Sting’s Brand New Day concert in Miami. As I am good with names, I recognized it when I saw some of his CD’s at the record store a couple years later. After debating over which album to buy, I settled on his The Very Best Of collection. It was just a taste though, and I craved more of his smoothness and his interesting interpretations of standards.

I am a big fan of his Christmas album, December, mostly because it’s not the same old holiday fare. His masterpiece though is 2004’s When I Fall In Love. It’s my favorite of his albums, and the album that made critics realize that Botti was worth their attention and recognition. The follow up, To Love Again, is a great set as well. It’s all duets with Botti and his favorite singers, including Sting, Paula Cole, Gladys Knight, Steven Tyler, and Michael Bublé.

His interpretations are thoughtful and his original compositions are impressive. He’s smooth without actually being in that Smooth Jazz category. He improvises, and has a touch of Miles, but doesn’t go on for twelve minutes. He’s in a genre of his own, and that’s what makes him so remarkable.

His current release, Italia, is a formidable set of compositions ranging from film music to classical opera, along with the newly composed title track. It captures the romance and sweeping atmosphere of Italy, and shows Botti’s strength as a composer and interpreter.

The opener, Deborah’s Theme (from Once Upon A Time In America) and Gabriel’s Oboe (from The Mission) are works of the accomplished Italian composer Ennio Morricone. While Morricone’s original Deborah’s Theme is entirely classical with a full orchestra, Botti interprets it with very little accompaniment, letting his trumpet shine on this shorter version. The title track, Italia, is a duet with one of Italy’s greatest tenors, Andrea Bocelli. Bocelli’s passion for music and his homeland bring this song to a higher level. Having the Tuscany-born Bocelli here is a wonderful addition to Botti’s tribute to Italy. Paula Cole, a frequent collaborator of Botti’s, offers her sensual vocals to a new rendition of Ray Noble’s The Very Thought Of You. Botti’s trumpet adds a touch of magic to the 1957 vocal recording of I’ve Grown Accustomed To Her Face by Dean Martin. Had Dino been alive to hear this, he would’ve been as pleased as Botti must be. Puccini’s Nessun Dorma from the opera Turandot gets a stunning interpretation. Ave Maria is done so beautifully here; there’s a choir to create the religious and breathtaking characteristics of Schubert’s masterpiece.

Italia will transport you to the lushness and romance of Italy with the very first note. Botti brings new life to old standards and adds something extra to already perfect compositions. His work only continues to improve with each new release. Italia is masterful and quite beautiful, and evidence that Botti is the premier trumpeter of his time.

Go to the Blogroll on the right to view some of Botti’s live performances.

Free bonus track downloads/CDs at: Chris Botti